It’s misty, dark, and the entire sequence is lit from what appears to be a flashlight attached to the camera-which itself moves around with the POV of a home-video observer. It’s towards the end of the film where Joel and Clementine’s final memories of each other come crashing down in the form of an abandoned beach house being destroyed in the rain. There’s a scene in Eternal Sunshine of the Spotless Mind that still stands out to me as one of the best filmed sequences of all time. A look into how cinematographer Ellen Kuras broke into the industry with her innovative techniques, then reshaped it with her storytelling.
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